Garageband Windows Free Download

Are you interested in trying out a Garageband Windows free download? Although Apple does not make a version of their Garageband music recording software specifically for Windows, the closest Garageband alternative for PC users is Mixcraft, and it’s available to download for free.

About Mixcraft

Mixcraft is multi-track recording studio software made by Acoustica. It has a huge range of capabilities (described in detail here), but the key features include:

  • recording audio;
  • arranging loops;
  • remixing tracks;
  • composing with MIDI and virtual instruments;
  • adding effects;
  • scoring and editing video; and
  • mixing and mastering your tracks to create polished, professional compositions.

Mixcraft has an interface and workflow that is very similar to Garageband, and in terms of both aesthetics and usability is the most similar Windows alternative to Garageband.

Downloading Mixcraft

Acoustica offer a free trial of Mixcraft 6 to allow users to test-drive before they buy. The trial version is complete and unabridged. The only difference between it and the paid version of Mixcraft is that a registration code is required to turn the trial version into a fully paid version. If you choose to purchase the software at a later date, a registration code will be emailed to you.

How to download Mixcraft 6 for free:

  1. Visit the Acoustica site; and
  2. Click on the ‘Download’ button (located on the right of the ‘Buy Now’ button, as show in the screenshot below).
Download Mixcraft for free

Download Mixcraft for free

System Requirements

To download and run the Mixcraft software, the minimum system requirements are:

  • 1 GHz CPU;
  • 2 GB Ram;
  • Windows XP, Vista, Windows 7, or Windows 8; and
  • Sound card, USB, or Firewire sound device.

Record Your Voice and Sing Better – 10 Things To Listen For If You Want To Improve Your Singing

Are you interested in learning a simple, inexpensive way to help you improve your voice and sing better? Recording your voice and then listening back to the recording is a method used by many singers to help them self-diagnose any issues with their singing voice, and then take the steps necessary to correct them. Taking advantage of the opportunity to listen to your voice and hear it the way others do is a great way of picking up things you may be doing wrong without even noticing – things that are very likely to prevent you from singing better.

[Just a quick note about choosing simple music recording software to capture your voice - if you have a Mac, use Garageband. If you have a PC, I'd download Mixcraft - there's a free trial if you want to test it out.]

Below is a list of ten critical questions you should be asking as you listen to a recording of yourself singing.

1. Have I learned the melody and lyrics correctly? Are there any parts of the song where I forget the words, or the melody isn’t quite correct (do a listen-through while reading the sheet music if possible).

2. Am I singing in time with the accompanist or backing track? Am I ever too fast or too slow, particularly at the beginning of phrases?

3. Is my voice the same volume all the way through, or do I make the song more interesting by adding dynamics and singing more softly in some places, or adding more emphasis or power somewhere else?

4. Am I in pitch? Do I hit every note straight in its centre, or do I sometimes waver or slide into the correct pitch after I’ve already sung the note?

5. Is there an evenness of tone throughout my voice, from the lowest notes right up to the highest notes? Is there a noticeable change in quality, tone or volume when I sing higher or lower notes?

6. Am I taking noticeable intakes of breath in the middle of phrases? Do I tend to run out of breath before I can finish a line of music, and am I filling up with enough air during the breaks in the song?

7. Do I overuse vibrato? Do most of the notes I sing have a wavering, vibrato tone, or do I use vibrato more selectively to give emphasis only where it’s appropriate?

8. Do I convey any kind of emotion or depth of feeling when I sing the song? Can I easily identify the main emotion that is the driving force behind the song’s lyrics?

9. Do I sound like I really believe the words that I’m singing? Is the essence of the song being delivered straight to the listener?

10. Am I ready to share this recording with other people, or perform this song in front of an audience, or would I prefer to be able to sing it better before I launch myself into anything more public?

If you can answer these questions honestly, and take notes on the things you wish to address you will be in a great position to start targeting problem areas that are preventing you from singing your best. A good next step is to enrol in a recommended singing program so that you can learn special vocal exercises designed to help you overcome your vocal stumbling blocks and cultivate the singing voice you’ve always wanted. Recording your voice regularly as you progress is a smart way not only to improve, but to track your achievements and see just how far you’ve come.

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Introduction to digital music recording: Part 2 – Basic home studio equipment set up

This article will talk you through the most basic equipment required to create a home studio for recording music. There are plenty of desirable extras you could add, but here are the Top Five Essentials to get you started.

1. A recording space

We have already covered in detail what makes a great recording space in Part 1 of this series, but in short you need:

  • somewhere that is quiet
  • a location that’s a suitable size for both your equipment and performers
  • a place that has good acoustics (minimal sound dampeners, and in some cases a bit of reverb).

2. A computer

If you’re buying a new machine, you’ll encounter the old desktop versus laptop debate. Desktop computers are usually better built (more solid) and cost less for the same specifications, but laptops are portable so you can pick up your recording studio and take it to the next suburb or across the continent with relative ease. Depending on where you plan to record your music, you’ll need to decide for yourself whether you need a mobile studio or a static one.

Music recording software programs chew up both power and memory, so you’ll need a machine with a decent amount of grunt. An absolute minimum of 1GB (gigabyte) of RAM is required, but preferably 2GB or more if you can afford it.

When you’re dealing with digital music production, the old “less is more” adage absolutely does not apply to memory requirements. Greater memory capacity means your computer will be able to do more things at once, without taxing its brain quite so much. It also means you’ll be able to store more audio files. 250GB of memory would be an acceptable minimum, but 500GB would be excellent. It’s probably also worth investing in an external hard drive to back up your files.

3. A microphone

Many computers have built-in microphones of varying quality. The built-in mic on my Macbook Pro is actually quite impressive, but nevertheless, you’ll always get a better recording by using a dedicated, good quality microphone. If you’re just starting out, I’d recommend trying a USB mic because these are plug-and-play ready and don’t require additional equipment such as a microphone pre-amp, or any special connections for different types of microphone plugs. USB microphones are a boon for music recording newbies.

4. Music recording software

Depending on your platform (Mac or PC), there are a number of excellent, inexpensive, entry-level programmes available for new-to-recording musicians. Mac users cannot go past Garageband, the gold standard in amateur music recording software, which comes bundled free with all new Macs as part of the iLife suite (just click on the guitar icon on your dock). PC users a number of excellent Garageband for Windows alternatives. Whatever you choose, make sure you take the time to learn your way around your software. Read, complete tutorials, and mess around with your music recording program plenty before you start any serious recording. You must master the tool before it can be of any real use to you.

5. Imagination, creativity and drive

Ok, so this one is less about equipment and more a state of mind, but without it even the most luxurious professional studio set-up is going to be pretty useless to you. Don’t be afraid to experiment, and don’t be too hard on yourself either – like anything else it takes practice to set up a studio arrangement that will work for you, so be patient and in time you’ll be surprised at what you can achieve.

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Garageband for Windows: why Apple will never make it

I just wanted to share a recent, short article I wrote for the Street Articles news site on why Apple will never make a version of Garageband for Windows.

Recommended book: “Making Music with Garageband and Mixcraft” by James Frankel

This is a stellar new book (published late December 2010) containing structured lessons on how to use both Garageband on a Mac, and Mixcraft on a PC. It includes a bonus DVD and has received rave reviews from educators and music enthusiasts. For under US$20, you really can’t go wrong here. The book is available at Amazon.

Product Description

MAKING MUSIC WITH GARAGEBAND AND MIXCRAFT provides music educators and self-learners with a comprehensive guide to music production using two of the most inexpensive and intuitive music software recording programs on the market today. Although easy to use, the tools included in GarageBand and Mixcraft are powerful enough to create music worthy of inclusion in professional productions, and their interfaces and workflows prepare users to work with professional studio-level digital audio workstation programs, such as Logic and Pro Tools. The book is far from a simple software guide. The first chapters introduce the programs, how to use them, and how to get the best audio results from any home or school computer setup. The subsequent chapters help develop creativity and guide the reader (with a very gentle learning curve) into using these programs not only to make recordings, but also to compose and produce great music. This book includes 12 specific lessons for GarageBand and 12 specific lessons for Mixcraft as well as lessons suitable for both platforms; students can learn from these activities whether they’re working with a Mac or a PC. Although software programs are constantly changing and being updated, the lessons included here are not limited to specific versions of GarageBand and Mixcraft. They include instruction on getting started with existing audio, working with MIDI, recording audio, podcasting, working with film, multitrack recording, mixing, mastering, and much more. The companion DVD includes bonus tutorials as well as audio and video exercises that correspond to the book’s chapters.

Introduction to digital music recording: Part 1 – Finding a space for your home studio

If you’re a musician, at some stage you’ve probably considered the idea of recording yourself, or your band, or the cool duet you do with the cat (she takes the high notes). Digital music recording technology has come a long way in recent years, and the best part is that you no longer need to remortgage your house to be able to build a decent quality home studio set up.

The first step on the home studio path is deciding where you’re going to work. Are you a garage band with access to a real garage, or are you a solo act who neatly folds onto a single chair in your study? Before you think about shelling out for any equipment, you need to sort out where you’re going to be recording music. As the experts say, “location, location, location”. It’s pretty important. Here are the things you should consider.

Peace and quiet
It almost goes without saying that if you live near a railway line or in a flight path you might want to consider recording at a mate’s house instead. Always remember that you’re aiming for minimal background noise, unless of course you’re recording at a live venue in which case ambient chatter and intermittent clanging are part of the experience and therefore the recording. Choosing a time that you have the house to yourself is always an excellent plan. There’s nothing more frustrating than laying down a perfectly executed riff that’s ruined by a door slamming, the dog barking or someone yelling, “Honey, I’m ho-ome!”.

Sized to fit
If you’re solo artist who will only be recording a single instrument at a time, then it shouldn’t be too hard to find a corner that will accommodate you and your stuff. If you’re going to try simultaneously recording all members of a cello octet, you’ll need to think through your space requirements a little more carefully. In some cases it could even be worth booking a local studio or hall, instead of cramming into your spare bedroom. Remember that some musicians don’t like to feel confined when they play (drummers and lead guitarists in particular), so realise that you’ll need a lot more space for simultaneous instrument recording. If space is tight, you should instead consider recording instruments one-by-one.

Acoustically sound
If you’ve ever sung from the choir stalls of a stone cathedral, you’ll notice your voice sound distinctly different from when you sing in your living room. Floor and wall coverings such as carpet, curtains and wallpaper act as dampeners, which stop soundwaves from reverberating and echoing within a space. A bit of an echo can be a good thing, especially when you’re recording vocals or acoustic guitar – both sound fuller and richer, as if the notes have more body. People sing in the shower because it’s where they sound best! I know plenty of musicians who routinely record in their tiled laundry or bathroom for this very reason, so for a crisper, fuller sound try to avoid overly dampened rooms.

A quick note about sound levels – if you’re know you’re Armageddon Loud and that you’re going to be recording regularly, keeping your nearby neighbours happy should be a priority. One person’s music can be another’s noise, and if neighbours suspect you’re breaching acceptable sound levels, a quick phone call to the local council or police can shut down your jam sessions quicker than a grace note. Be considerate about the hours you play, and consider soundproofing if you regularly rock out in close proximity to your neighbours.

Now that you have a better idea of the space in which you’ll be recording, we’ll move on to discussing basic home studio equipment. In Part 2 – Basic home studio equipment we’ll cover elements such as computer requirements, microphones and music recording software recommendations.

What to look for in a Garageband for Windows alternative?

I recently published this article on Street Articles about key things to look for when seeking a Garageband for Windows alternative. I hope you find the information useful :)

Mixcraft by Acoustica – Awards

I’ve been doing some research on various Garageband for Windows alternatives, and just discovered that Mixcraft has a special place in the hearts of some top music magazines. According to the font of all web knowledge, Wikipedia says:

  • “Mixcraft 5 was given Keyboard Magazine’s top honor, their Key Buy award in their May 2010 issue.
  • Mixcraft 5 was given Computer Music Magazine’s top honor, their Editor’s Choice Award, along with a product review score of 9 out of 10, in the May 2010 issue.
  • Mixcraft 5 was given Computer Music Magazine’s Value Award in their May 2010 issue.
  • Mixcraft 5 was given MusicTech Magazine’s Value Award, along with a product review score of 8 out of 10, in their May 2010 issue.
  • Mixcraft 4 was given Keyboard Magazine’s top honor, their Key Buy award, by in their May 2008 issue.
  • Mixcraft 4 was given Computer Music Magazine’s Value Award, along with a product review score of 8 out of 10, in their May 2008 issue.”

It’s always good to know you’re not the only one who thinks a program is fabulous!

Audacity: the “no budget” sound recording option

When it comes to recording audio, there is a “no budget” option. Audacity is open source and completely free to download, as well as simple to use and good for recording and editing sound. You can record up to 16 channels via a mic or a mixer, and cut and edit tracks to your heart’s content, but be aware that Audacity sports no bells or whistles. Don’t expect loops, beats or other psychedelic extras, as this is baseline software.

Audacity is undoubtedly good value at $0, and as a basic recording tool you should probably give it a try if you’re brand new to recording audio. Familiarising yourself with the interface, and getting used to the process of setting up a mic is a step in the right direction if you’ve not recorded before.

Famous artists who use Apple’s Logic Pro

We all know that nothing sells a product like a celebrity endorsement. When an artist we admire tells us something is fabulous, we’re much more likely to sit up and pay attention.

While we don’t see Apple’s Logic Pro music recording software being officially endorsed across billboards by musicians, there’s a quieter, but much more powerful form of endorsement at play every time a musician uses Logic Pro to record a new album. Here’s just a handful of names of a few artists who have used Logic Pro to record, edit and produce their hit songs.

  • Christina Aguilera
  • Nine Inch Nails
  • Guns N Roses
  • Mary J. Blige
  • Gwen Stefani
  • Depeche Mode
  • Herbie Hancock
  • Chemical Brothers
  • Marilyn Manson
  • Peter Gabriel
  • Barenaked Ladies